A circular space without windows. Nobody can see in, nobody can see out. Only one person at a time is allowed to enter.

Look inside the changing room

At the entrance hangs a white bathrobe in a changing room. Once you have undressed and swapped your everyday clothes for the simple robe you step into the main room. Inside the room life-sized images of artists cover the walls. They’re all looking at you. You are the model. You remove your robe and take your place in the middle of the room…

You experience – in the safety of private solitude – your own relationship with your body.

This installation gives visitors the possibility of experiencing themselves as a nude model. In a safe space they can present themselves without clothes and experience their own nudity in a particular and unusual situation.

What physical feeling does this installation give to visitors? In becoming objective each visitor experiences – in the safety of private solitude – their own relationship with their body, gaining an insight into how they think others perceive them. 

Black box "becoming objective" at Arti et Amiticiae, Amsterdam 2013

A fundamental difference between nakedness and nudity lies in their different societal connotations. While nakedness is a personal matter, nudity is something else, something with a public element. The functional and relational aspects of their job protect the nude model from social nakedness. It is the context which decides.

 

Project

BECOMING OBJECTIVE


Format

INSTALLATION


Exhibition

ARTI ET AMITICIAE & FLAM – FORUM OF LIVE ART AMSTERDAM


Target Audience 

VISITORS


By the way 

The installation part of my thesis & paper “Being the Object, Becoming the Subject: Self-analysis and Self-portraiture as Interdisciplinary Research Methodology”.

An interview with me about the installation and the subject of the intimate feeling of shame was published in the Berlin-based magazine Der stille Fuchs in 2013.